I’m happy to say that FRACTURES, Caulborn 4, is currently being formatted as both an e-book and a paperback, and should be available later this month. Stay tuned!

Meantime, here’s the cover and the blurb.

In 1854, CaulbFractures-2500x1563-Amazon-Smashwords-Kobo-Appleorn agents stopped an interdimensional warlord named Sakave from conquering our universe. With protective extradimensional barriers in place, Sakave’s attempted conquest is now little more than a note in the Caulborn’s archives.

That is, until the recent catastrophe at Ashgate Penitentiary weakened those barriers and made Sakave a threat again. Things get worse when Commander Courageous gives Vincent Corinthos a dangerous piece of advice, which fractures those barriers even further.

Tapped for a black ops mission to repair the damage, Vincent finds himself under the command of a man who doesn’t trust him, and allied with an enemy he hasn’t seen in four hundred years. If they succeed, Earth and the Caulborn might pull through unscathed. If they fail, life as we know it ends.


Paperbacks and Audiobooks

Just wanted to give a quick update that paperback copies of the Caulborn novels are now available! Get ’em while they’re hot!




I’m also working with the insanely talented narrator Ian McEuen to create audiobooks of the Caulborn series as well. Ian’s been working his way through Imperium and he’s doing an amazing job with all the voices. He’s quite the opera singer, too, you can learn more about him here.

SHADOWS, Caulborn 3, Is Now Available!

I am proud to announce the release of Caulborn 3, SHADOWS, which is available now from Amazon.

Four years ago, Caulborn agent Vincent Corinthos stopped a hellish ritual intended to transform Ulysses Pendleton into a creature of utter darkness. With Pendleton safely imprisoned in Ashgate Penitentiary, Vincent and the rest of the Caulborn figured the world was a little bit safer.

Until now. A catastrophic failure with the prison’s security systems sends Vincent and the rest of the Caulborn into Ashgate to try and prevent the inmates from escaping. They secure all but one. Pendleton.

Now, Vincent’s in a race against the clock to find Pendleton before he can finish the job he started four years ago, and smother Boston in shadows.

Rebranding 3 – Facebook Ads

I’ll be up front about something. I’ve always struggled to promote my work. I’ve tried a bunch of different things, but it wasn’t until very recently that I found something that actually worked for me. That was, as the title of the post suggests, Facebook Ads.

Here are my total sales for the month of September. Across all 10 titles I have available at Amazon, I made 7 sales.Sept2015

Here are my sales for October. As you can see, I made 4 sales.

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And these numbers are pretty typical. I usually do between 2-10 sales a month. (Actually, there was one month where I did -1 sales, because I made no new sales and someone returned a copy of Imperium. That was depressing.)

To say I was discouraged would be an understatement. I’d tried book tours, promotion sites, giveaways, paid ads on Goodreads, and a few other things, but at best I’d get a blip of one or two sales. Then fellow author Rick Gualtieri pointed me at a free mini course on Facebook ads and suggested I give it a try. I commissioned some art from and spun up this ad, which launched on Nov 8.


Here are my numbers for November so far.

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At the time of this writing, I have made over 140 sales in 12 days. While that’s still small compared to some, it’s huge for me. So, if you’re looking to get a boost in your sales numbers, look into Facebook ads. They just might be what you need.

Rebranding 2 – Editors

Last time, I talked about rebranding my covers. The next thing I want to talk about is working with an editor. I’ve worked with three different editors over the last few years, and I’ve learned that it’s really important to keep the same editor as you work through a series. This is because that editor gets used to your style and what to watch for. A good editor will also help ensure your characters stay consistent from book to book, and that your voice isn’t jarringly different (unless of course that’s your intent).

Now, you may be wondering why I changed editors. After I finished Imperium, the editor I used stopped taking on new work, and the same thing happened with the editor I used for Krampusnacht. I started to worry I might be cursed and crossed my fingers that the editor I used for Sync would still be around when I finally finished Promise. Thankfully, she was, and I’ve been using Shelley Holloway for everything since. She edited Promise, Sync, and all the Doc Graystone Adventures. In order to maintain consistency, I also asked her to take a pass through Imperium, just to be safe. She found a few issues that we corrected and the book is much stronger for it.

So, that raises the question of how do you know if an editor is any good? There are a couple of ways. The first is to look at their client testimonial page. You’re not looking at this for the positive words (because honestly, who’s going to put negative feedback on their own testimonial page?), but you’re looking for who their clients are. Then, go buy one or two of the books they edited and give them a read. It’s a small investment, but a great way to see how they handle things. Also take a spin through the reviews on those books; reviewers are very critical of poor editing and if it was badly done, someone will comment on it.

The other way to find a good editor is to ask for recommendations. Find other indie authors who have sold well and ask who they’re using. After all, it’s unlikely they’d get as far as they did without having a good editor in their corner. (Incidentally, that’s how I found Shelley – I asked the super talented Lindsay Buroker who she used.)

So like I said, I use Holloway House for my editing. You can reach Shelley at this page. Tell her I sent you. It won’t get you any special treatment, but it’ll make me look good. 🙂

Rebranding 1 – Covers

Lots of self-published authors offer different advice on what it takes to succeed. But there are three things they all agree on:

  1. Have great cover art
  2. Have a great editor
  3. Have a great blurb

I’m going to focus on #1 in this post. When I originally published IMPERIUM back in 2011, I knew I was going to hire a cover artist. I have no artistic abilities at all, and anything I tried to create myself would undoubtedly look like it had been drawn by a drunken chimp using MS Paint. So I hired an artist and thought, cool, #1 on the list is taken care of. The artist I hired did a good job and I was happy.

Problem is, I missed one critical bit of info related to Having Great Cover Art. Namely, your great cover art needs to fit in your genre. It sounds obvious, and I’m embarrassed to say this didn’t occur to me until much later. The original cover art for the Caulborn series looks much more like historical fantasy, or epic fantasy, but not urban fantasy. I’ve been told that some readers thought my work was miscategorized as urban fantasy because of the artwork. Other readers told me they didn’t realize these books were all part of the same series, because there weren’t common elements across them.

This was not the fault of the artist. This was my fault for not doing my homework. If I had, I could have had him retool the original cover back then. It took several years for this realization to dawn, but once it did I enlisted a new cover artist (as my old one went out of business) to develop a new set of covers for the Caulborn series. Check ’em out:

Imperium Promo

Promise Promo     Sync Promo

These covers were done by the talented folks over at StreetLight Graphics and are much more in line with the covers you’d see on a book by Jim Butcher, Kevin Hearne, or Illona Andrews. So they fit the genre. Also notice the consistent use of the title font and Caulborn insignia. In short, these new covers are in-line with what readers expect a UF cover to look like, and it’s obvious they’re part of a series.

So, lessons learned:

  1. Your cover needs to fit with the genre you’re writing
  2. If you’re writing a series, there need to be common elements to tie the books together
  3. Even if you make a mistake, it’s never too late to fix it

In the next post on the series, I’ll talk about working with an editor.